tag:blogger.com,1999:blog-34876354745234334482024-02-21T09:30:35.390-08:00LudovicaGentiliLabIVSaggioLudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.comBlogger11125tag:blogger.com,1999:blog-3487635474523433448.post-70222784796078071052017-07-17T14:42:00.000-07:002017-10-04T14:43:35.183-07:00finalmente esame!<div class="separator" style="clear: both; text-align: center;">
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<br />LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-22134485737953113242017-06-26T02:39:00.002-07:002017-06-26T02:39:49.078-07:00Pre-esame 23 Giugno<div class="separator" style="clear: both; text-align: center;">
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<br />LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-25727087035880677882017-05-21T09:02:00.001-07:002017-05-21T09:02:08.072-07:00Sintesi progetto<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih3cj6CUj02adZygUwiGh4O7MHNgD69WwY2cAN-HR5L5b2vXscw2_RibfZoz56vi-xXd5drEpxWJeG1Dz5ZQAJmy3WVndqgWcB4oP4wIY7e08CdbZ0z1H4aYPhFTval-veb4Zaana03_8/s1600/21maggioTAV1piupiccolaperdiana.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih3cj6CUj02adZygUwiGh4O7MHNgD69WwY2cAN-HR5L5b2vXscw2_RibfZoz56vi-xXd5drEpxWJeG1Dz5ZQAJmy3WVndqgWcB4oP4wIY7e08CdbZ0z1H4aYPhFTval-veb4Zaana03_8/s320/21maggioTAV1piupiccolaperdiana.jpg" width="226" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Programma Funzionale<br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMRYCMrQ-v7vOhnfRUtjvHJCPdFokm1NWQrU5-hh9QamKigHBhFS9HxbD7Ut9ugtF2OeYrEOirx-mg4Cln1ym5a3OyQLGSHZXQT2J-nTibXUympKZreinyKgjQJvIpwz5cZpo0yDDlj-A/s1600/21maggioTav2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMRYCMrQ-v7vOhnfRUtjvHJCPdFokm1NWQrU5-hh9QamKigHBhFS9HxbD7Ut9ugtF2OeYrEOirx-mg4Cln1ym5a3OyQLGSHZXQT2J-nTibXUympKZreinyKgjQJvIpwz5cZpo0yDDlj-A/s320/21maggioTav2.jpg" width="226" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;">Scacchiera e Diagramma a blocchi</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Studio delle ombre</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Piante e Sezioni</td></tr>
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LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-89253405452786363932017-05-04T06:03:00.000-07:002017-05-04T06:05:10.226-07:00Contesto sociale e culturale<br />
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In relazione ad un approfondimento del contesto sociale e culturale, sono andata ad intervistare due ragazzi appassionati di bicicletta, e amanti della natura, Tiziano ed Andrea, giovani proprietari di <a href="https://www.facebook.com/centocicli/?fref=ts">Centocicli Bike shop</a>, a via Filippo Arena 26. Lo scopo dell'intervista è raccogliere maggior informazioni possibili riguardo tutto ciò che concerne la vita del ciclista, avendo anche un punto di vista tecnico di chi vive quotidianamente le difficoltà in cui si può incorrere in una città problematica come Roma.</div>
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<b>Mi fareste una breve presentazione di chi siete e cosa fate.</b></div>
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<i>Andrea:</i> Sono Andrea Marsilli riparo biciclette e faccio il ciclista, faccio riparazioni del nuovo dell'usato e assistenza. Vendiamo biciclette nuove ed usate. Faccio parte della Squadra Open Tour: 3 persone affermate nell'ambito ciclistico, che organizzano tour in giro per l'Italia<br />
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<i>Tiziano:</i> Sono Tiziano Menichini, il socio di Andrea<br />
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<b><b>Come è avvenuta la scelta del locale?</b></b></div>
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<i>Tiziano:</i> Abbiamo scelto questo locale perchè era quello che aveva le dimensioni più adatte alle nostre esigenze, e la locazione più idonea in base alle nostre aspettative lavorative. La zona era prestabilita, Centocelle, in quanto zona più in espansione giovanile, e non solo, di Roma sud-est, nonchè quartiere dove ancora i prezzi sono abbastanza abbordabili, come anche San Lorenzo e Trastevere...<br />
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<i>Andrea</i>: ...Ma qua mancava un negozio di ciclismo e la densità di popolazione è molto alta<br />
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<b>Quali problematiche avete affrontato per l'acquisizione del locale e l'apertura al pubblico?</b></div>
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<i>Tiziano</i>: La demenza senile del socio<br />
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<i>Andrea:</i> Gli fischia l'orecchio all'altro socio<br />
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<b>(risate generali)</b></div>
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<i>Tiziano:</i> Le solite problematiche burocratiche per avviare la società, le firme per la varie autorizzazioni, i requisiti del locale, e poi i vari controlli che avremmo dovuto affrontare in base alle prescrizioni. Abbiamo dovuto allestire il locale in base alle loro richieste<br />
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<b>Avete mai collaborato con enti, associazioni per l'organizzazione di eventi</b></div>
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<i>Andrea e Tiziano:</i> No. Quando organizziamo i tour preferiamo rimanere tra noi, più gente si mette in mezzo più problemi escono fuori, ma accettiamo chiunque abbia passione e ama stare all'aria aperta<br />
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<b>Ultima domanda ragazzi. Secondo voi perchè Roma fa tanta fatica a diventare una città a misura di ciclista?</b></div>
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<i>Andrea:</i> Mancanza di infrastrutture ciclabili<br />
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<i>Tiziano:</i> Di base le piste ciclabili vengono costruite perchè il Tizio che deve raccogliere permessi e autorizzazioni, la progetta nel primo posto che gli capita, è per quello che spesso si incontrano tratti a caso realizzati poi senza impegno<br />
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<i>Andrea:</i> Che iniziano dal punto A e finiscono al punto B e ciò non ha senso<br />
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<i>Tiziano:</i> Non viene valorizzato l'interesse del ciclista e vengono fatti questi tronconi di ciclabili, poi non si dica che esistono le piste ciclabili a Roma<br />
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<i>Andrea:</i> Con il GRAB loro non fanno altro che collegare parti di Roma, con delle piste ciclabili che al 50% già esistono, solo si deve creare una continuità, non si può uscire dal Parco dell'Appia e trovarsi il semaforo con il marciapiede davanti. Si deve garantire la continuità di cui ha bisogno il ciclista<br />
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<br />LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-11059877903404850972017-04-16T01:32:00.001-07:002017-04-18T12:21:33.688-07:00ExTempore 12Aprile<br />
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ExTempore in Progress...<br />
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LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-22264334519349436262017-03-30T09:25:00.001-07:002017-03-30T10:03:46.243-07:00Imprinting<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "trebuchet ms" , sans-serif;"><br />Il mio luogo d’imprinting è quella che io chiamo la</span> <i>Casa delle Scale</i>. <br />
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Principalmente sono rimasta colpita dal suo giardino. Un intreccio continuo di
scalinate, con parapetto classicheggiante, dove si vede l’inizio ma non sembra
mai arrivare una fine. Il giardino è appoggiato alla collina in una della
insenature del lago.<br />
La casa si trova alla fine del lungolago di Anguillara (dove ho vissuto
praticamente tutta la mia vita), nascosta dietro l’ultima curva che porta alla
fine della passeggiata. Capitava sovente la passeggiata di domenica, ed ogni
volta speravo di arrivare dietro quella curva per poter ammirare con curiosità,
ed anche un po’ paura, quelle scale che mantengono tutt’oggi l’incanto che mi
aveva colpito all’epoca.<br />
I miei occhi, e il mio cuore da bambina, le rendeva misteriose e proprietà di
qualche essere stregato, o comunque spaventoso. Anche lo scenario su cui si
affaccia l’abitazione, nascosta in cima alla scalinata, la presenza della
principale chiesa del paese, stagliata lì in alto, l’infestante vegetazione (ancora
oggi provo molta stima per il povero giardiniere; sì, ogni tanto il giardino
era curato), e il fatto che non ho mai visto in tanti anni NESSUNO in quel
giardino, ha sicuramente suggestionato la mia immaginazione.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Crescendo, con la maturata consapevolezza che in quella casa
abbandonata la presenza di fantasmi, streghe e quant’altro, fosse abbastanza
improbabile, ho iniziato a godere anche del lato artistico della scena che mi
si presentava. La non curanza del cortile, all’epoca circa dieci anni fa, aveva
permesso che la natura dominasse la pietra, inglobando le scalinate, e perfezionando
nel tempo questa quinta tipo rudere nel bosco, che si fonde e si confonde. C’era
un non so che di contemplativo e chimerico.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Ad osservarlo oggi con occhi più consapevoli e più
informati, perde un po’ di quella magia che l’avvolgeva. La curiosità di
entrarci (ho conosciuto i proprietari, ma ho visitato solo l‘abitazione) e la
voglia di girare quella curva sono sempre le stesse, spinte dal fascino che le
caratterizza. <br />
Avete presente il quadro di Escher con le scale che salgono, scendono, si
ribaltano e alla gente sembra non importare nulla e continua a fare quello che
stava facendo? Ecco, pensando alla</span> <i>Casa
delle Scale</i> <span style="font-family: "trebuchet ms" , sans-serif;">è inevitabile l’associazione a quest’opera, e viceversa. Verso
i 13/14 anni quando ho conosciuto la litografia, è stato come scoprire di
prevedere il futuro.<br /><br />
In realtà ho anche un secondo luogo d’impring, ed è Castel di Tora.<br />
Luogo d’origine dei miei genitori e dei miei nonni, è un paesino, nella Valle
del Turano, popolato da circa cento abitanti in inverno, e in estate affollata
meta caratteristica. Un immenso panorama montuoso verde viene tagliato da una
lingua verde acqua (e non azzurro), un lago artificiale, che rende unico il
paesaggio. Un tripudio di colori in primavera e in estate, tra ciliegi, vigne,
meli, orti, susini, rovi di more, il lago e i tramonti che imbelliscono tutta
la vallata. Io lo nomino come</span> <i>Il Mio
Posto nel Mondo</i><span style="font-family: "trebuchet ms" , sans-serif;">, è un luogo anacronistico dove permangono le tradizioni e
il rispetto della natura e l’amore per la terra sono ben instillati nelle menti
di chi le vive.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Il
riutilizzo delle vecchie stalle, evolute in bellissime casette di sassi, che
creano un contesto continuo e variopinto, evita, o comunque rallenta il consumo
di suolo lasciando l’ambiente naturale protagonista incontrastato del luogo. La
natura, con la dirompenza dell’acqua, e il su</span>o <i>decidere </i><span style="font-family: "trebuchet ms" , sans-serif;">sul costruito e di conseguenza su l’uomo, è chiaro quando
con l’abbassamento dell’acqua escono fuori i resti di vecchi edifici, case,
casali, ponti e mulini andando ad arricchire temporaneamente il paesaggio
bucolico.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Questi sono i miei luoghi impressionanti: impressionanti per
i ricordi a cui sono legati; impressionanti per le emozioni che mi suscitano; impressionanti
per la bellezza che li contraddistingue; impressionanti per la loro semplicità,
ma non banalità.</span></div>
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<o:p></o:p>LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-17886241852806044602017-03-24T01:30:00.001-07:002017-03-24T01:30:20.716-07:00i miei compagni di viaggio<div class="separator" style="clear: both; text-align: center;">
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Marinilla Educational Park, Giancarlo Mazzanti<br />
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Impianto di Trattamento e Purificazione delle Acque, Steven Holl<br />
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<br />LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-13236798838868376762017-03-13T16:49:00.003-07:002017-03-13T16:49:35.175-07:00Scelte progettuali<div class="separator" style="clear: both; text-align: center;">
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LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-80243164082811896602017-03-13T04:57:00.000-07:002017-03-13T17:20:46.543-07:00Sopralluogo 8Marzo<div style="text-align: center;">
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Quartiere Prenestino-Tor Sapienza</div>
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<tr><td class="tr-caption" style="text-align: center;">Ponte interrotto, Complesso residenziale Viale Morandi</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">UNLost territories # 25</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">UNLost territories # 27</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQaEuCWeOlNL-AAsuP73PPjtUu3UA_OuBUPBdptXJ1JxXCqbDHtb7ayYl50eJJ2FGonvmekcG7p5hGZrJa-xmRz-RE4qxIXkkOGEoRX4zrioHrN63nXoFwgttdgT4g-ee9V8Pa7YUziz0/s1600/area28.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQaEuCWeOlNL-AAsuP73PPjtUu3UA_OuBUPBdptXJ1JxXCqbDHtb7ayYl50eJJ2FGonvmekcG7p5hGZrJa-xmRz-RE4qxIXkkOGEoRX4zrioHrN63nXoFwgttdgT4g-ee9V8Pa7YUziz0/s320/area28.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">UNLost territories # 28</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">MAAM</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8yCFziq5uf8EI1M0V4k8DKj0iwIzg9jToJii4-7bq0_254uOU2eXNYu1UtbDj4NUoX3cwlq_IPUP84aVgisIKJQALP3eMF34M-gCTlvOVRZXAVlYOT5L3_MKBy1qeyD8m-qLlHaH-U0/s1600/IMG_20170313_124229_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8yCFziq5uf8EI1M0V4k8DKj0iwIzg9jToJii4-7bq0_254uOU2eXNYu1UtbDj4NUoX3cwlq_IPUP84aVgisIKJQALP3eMF34M-gCTlvOVRZXAVlYOT5L3_MKBy1qeyD8m-qLlHaH-U0/s320/IMG_20170313_124229_1.jpg" width="240" /></a></div>
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Alcune opere all'interno di Metropoliz</div>
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<tr><td class="tr-caption" style="text-align: center;">Sullo sfondo l'opera di Alice Pasquini che accoglie all'ingresso della ludoteca</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Opera "Black Holes" di EPVS</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Abitazione privata</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Varie opere nei corridoi delle sale espositive</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Installazione all'interno della mensa</td></tr>
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LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-19875080104295159412017-03-07T16:51:00.000-08:002017-03-07T16:51:37.155-08:00-Mario Merz-<div class="separator" style="clear: both; text-align: center;">
<i><span style="font-family: Trebuchet MS, sans-serif;">Il senso dell'arte antica era più adeguato a quello che era la vista,</span></i></div>
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<i><span style="font-family: Trebuchet MS, sans-serif;">il senso dell'arte moderna è quello vista spesso non può vedere.</span></i></div>
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<i><span style="font-family: Trebuchet MS, sans-serif;">C'è l'Arte nostalgica, e c'è l'Arte che in fondo della nostalgia non sa cosa farsene</span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9DBcBJU_cDdJr888UrAjrpuZHQVcOFxi76cOlvT3ncoGhLRrcfeTakHmP6PtpdEs8uN884ofuSuypLmOkT0lYPaDKMjqE4f8Ej1sIOMAhm_vO8eYgp0hGc05XOeWM0lDKEiKzGqpYXJM/s1600/merz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9DBcBJU_cDdJr888UrAjrpuZHQVcOFxi76cOlvT3ncoGhLRrcfeTakHmP6PtpdEs8uN884ofuSuypLmOkT0lYPaDKMjqE4f8Ej1sIOMAhm_vO8eYgp0hGc05XOeWM0lDKEiKzGqpYXJM/s1600/merz.jpg" /></a></div>
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<span style="color: #666666; font-family: Trebuchet MS, sans-serif;">Mario Merz nasce a Milano nel 1925. E' stato artista, pittore e scultore dell'Arte Povera. Cresciuto a Torino inizia a frequentare la facoltà di medicina, che abbandonerà durante la Guerra per unirsi al movimento antifascista <i>Giustizia e Libertà.</i> Nel 1945 durante un anno di prigionia, sperimenta un tratto grafico continuo, senza mai staccare la punta della matita dalla carta. Già in questi difficili anni di Guerra la sua poetica è orientata verso l'organico, la natura la vita.</span></div>
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<span style="background-color: white;"><span style="color: #666666; font-family: Trebuchet MS, sans-serif;">Nel 1954 tiene la prima personale presso la <i>Galleria La Bussola</i> a Torino, dove espone disegni e quadri i cui soggetti rimandano all’universo organico e dai quali emerge la conoscenza dell’Informale e del linguaggio dell’Espressionismo Astratto americano. </span></span><span style="background-color: white;"><span style="color: #666666; font-family: Trebuchet MS, sans-serif;">Dalla metà degli anni Sessanta il desiderio di lavorare sulla trasmissione di energie dall’organico nell’inorganico lo porta a realizzare opere </span></span><span style="background-color: white; color: #666666; font-family: "Trebuchet MS", sans-serif;">in cui gli</span><span style="background-color: white; color: #666666; font-family: "Trebuchet MS", sans-serif;"> oggetti di uso quotidiano, divengono forme plastiche attraversate dal neon che, come linfa vitale è portatore di energia.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="background-color: white; color: #333333; text-align: justify;">A partire dal 1968 prende vita l'<i>Igloo</i></span><span style="background-color: white; color: #333333; text-align: justify;">. Forma archetipa che segna il nuovo corso della sua carriera. E’ la “casa” primitiva, provvisoria, un luogo di rifugio, simbolo di una cultura nomade, ma anche ambiente di incontro, dalla forma semplice e organica, generata dai materiali più vari</span></span><br /><div style="text-align: justify;">
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;"><i>Object cache-toi</i>, 1968</span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTQEVAVvRM2E-XfeqTfm72NXF81Z44fmKC9oqGM9kDBwqGuOdVuQgC7Ntd7ayf5H70-Ft6C64fqoPSH3ZjL5R1ede-YskpQuU4Z7E2qamqNJ1VsDpJuwhpxHaI50mttDwCpbH7JC5IrJk/s1600/Merz_DA_NOMINARE_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTQEVAVvRM2E-XfeqTfm72NXF81Z44fmKC9oqGM9kDBwqGuOdVuQgC7Ntd7ayf5H70-Ft6C64fqoPSH3ZjL5R1ede-YskpQuU4Z7E2qamqNJ1VsDpJuwhpxHaI50mttDwCpbH7JC5IrJk/s320/Merz_DA_NOMINARE_01.jpg" width="320" /></a></div>
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<span style="background-color: white;"><span style="color: #666666; font-family: Trebuchet MS, sans-serif;">L'artista ribadisce la non importanza dei materiali, essi non vengono scelti per delle caratteristiche specifiche, sono semplicemente il mezzo per creare delle concatenazioni di elementi, ma in un nuovo ordine. Non è mai accumulazione ma proliferazione, sviluppo, crescita.</span></span></div>
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<span style="color: #666666; font-family: Trebuchet MS, sans-serif;"><span style="background-color: white;">Seguono interventi ispirati alla sequenza matematica di Fibonacci,</span><span style="background-color: white;"> che comprende </span><span style="background-color: white; border: 0px none; list-style: none; margin: 0px; outline: none; padding: 0px;">tutti i numeri dallo zero all’infinito</span><span style="background-color: white;">, secondo la quale ogni numero corrisponde alla somma dei due precedenti. Una progressione che nello spazio dà luogo a un tracciato curvilineo o a un movimento a spirale, proposta da Merz come il </span><span style="background-color: white; border: 0px none; list-style: none; margin: 0px; outline: none; padding: 0px;">principio universale di accrescimento vitale del mondo organico</span><span style="background-color: white;">.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><h1 class="beta" style="background-color: white; color: #313131; font-weight: normal; letter-spacing: 0.16px; line-height: 3.4375rem; margin: -0.25rem auto 1rem;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;"><i>Fibonacci Tables,</i></span><span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;">1974–6</span></h1>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb7G7o_cTW2XW8qI9bYAPYzUi4otULDPgPaQCG6UnTruINBvfJku3FQERaApyS_PAlbGhg2k4v1u7MbsLHN6BYwJuptE-7wyJOteXwWu9Fpj6yudC_4_tJf54iuEaP6thsVamazed3IYY/s1600/tavola-a-spirale-1982.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb7G7o_cTW2XW8qI9bYAPYzUi4otULDPgPaQCG6UnTruINBvfJku3FQERaApyS_PAlbGhg2k4v1u7MbsLHN6BYwJuptE-7wyJOteXwWu9Fpj6yudC_4_tJf54iuEaP6thsVamazed3IYY/s320/tavola-a-spirale-1982.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Trebuchet MS, sans-serif;"><i>Tavola a spirale</i>, 1982</span></td></tr>
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<span style="color: #666666; font-family: Trebuchet MS, sans-serif;"><span style="background-color: white;">Dalla seconda metà degli anni Settanta, e soprattutto negli anni Ottanta, Merz </span><span style="background-color: white; border: 0px none; list-style: none; margin: 0px; outline: none; padding: 0px;">ritorna all’arte figurativa</span><span style="background-color: white;">, che lo riportano ad una rielaborazione di forme organiche e animali arcaici. Figure primordiali, coccodrilli, rinoceronti, leoni, che condividono gli spazi con scritte al neon o altre presenze luminose.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;">Terrazza nera in forma di animale,</span></i><span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;"> 1997-2000</span></td></tr>
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<span style="color: #666666; font-family: Trebuchet MS, sans-serif;"><span style="background-color: white;">La sua </span><span style="background-color: white; border: 0px none; list-style: none; margin: 0px; outline: none; padding: 0px;">arte appare animata in fondo da una logica ciclica</span><span style="background-color: white;">, un unico grande principio: la <i>spirale</i>. Essa può cominciare molto piccola, esigua, e arrivare a coprire degli spazi formidabili. È un disegno, si sottomette ai numeri, aumentando la dimensione tra numero e numero la spirale cambia, muta di aspetto. La </span><span style="background-color: white; border: 0px none; list-style: none; margin: 0px; outline: none; padding: 0px;">sequenza di Fibonacci genera una spirale perfetta</span><span style="background-color: white;">, il cui dinamismo è la crescita di un oggetto-essere nello spazio, è la legge interna alla natura, che </span><span style="background-color: white; border: 0px none; list-style: none; margin: 0px; outline: none; padding: 0px;">nel suo dinamismo continuo racconta il movimento cosmico</span><span style="background-color: white;">.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfFlAMC8C6WL72svJKoq_ztBBSoNX9DJcudYzHwBNXmHP_sISpO54gbiarqaJBJlXs0wHTScsiAJT-NaUo26siU4b9PwIOeoCjSP6Nsx1IXivkgIj91tCWMxSTypbtX2ToA4J4QryLcE/s1600/Mario_Merz__Che_fare__1968.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfFlAMC8C6WL72svJKoq_ztBBSoNX9DJcudYzHwBNXmHP_sISpO54gbiarqaJBJlXs0wHTScsiAJT-NaUo26siU4b9PwIOeoCjSP6Nsx1IXivkgIj91tCWMxSTypbtX2ToA4J4QryLcE/s320/Mario_Merz__Che_fare__1968.jpg" width="320" /></a></div>
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<u><span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">Bibliografia:</span></u><br />
<span style="font-size: xx-small;"><a href="https://it.wikipedia.org/wiki/Mario_Merz">wikipedia</a></span><br />
<span style="font-size: xx-small;"><a href="http://www.lacooltura.com/2015/07/mario-merz-poetica-organico-inorganico/">cooltura</a><br /><a href="http://fondazionemerz.org/mario-merz/">MarioMerz</a></span><br />
<a href="http://www.arte.rai.it/articoli/mario-merz/16647/default.aspx"><span style="font-size: xx-small;">arteRai</span></a>LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0tag:blogger.com,1999:blog-3487635474523433448.post-9607920481659434162017-03-07T14:50:00.002-08:002017-03-07T15:20:50.117-08:00-Cy Twombly-<div style="text-align: center;">
<i>Il labirinto è forse la più congrua rappresentazione della storia. Lo è certamente per la Storia dell'Arte. Il labirinto inteso come delta di possibilità, tracciato inestricabile di strade,</i><br />
<i>Dedalo di ipotesi</i><br />
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<span style="background-color: black; color: #666666;">Cy Twombly nasce in Virginia nel 1928, a dodici anni inizia a prendere lezioni d'arte private, iniziando così un percorso artistico che lo porterà a frequentare diverse scuole d'arte e a conoscere diverse figure artistiche che lo influenzeranno durante la sua carriera artistica.</span><br />
<span style="background-color: black; color: #666666;">Nel 52 riceve una sovvenzione da parte del Museo delle Belle Arti della Virginia che lo incoraggiano a viaggiare in Nord Africa, Spagna, Italia e Francia. </span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"> Casa romana dell'artista, Roma, 1966</span></td></tr>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;">Nel 57 si trasferisce a Roma dove conosce l'artista Tatiana Franchetti, si sposano 2 anni dopo a New York e comprano un palazzo a Roma. </span><br />
<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;">Verso gli anni 90 decide di ritirarsi in una casa-studio a Gaeta, fino alla sua morte avvenuta nel 2011 a Roma.</span><br />
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<span style="background-color: black; color: #666666; font-size: x-small;">E' invece la sensazione della sua realizzazione-</span></div>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;"><span style="background-color: white; font-family: "verdana"; font-size: 12px;">Il segno e il colore sono gli strumenti che alternativamente agiscono sulla conoscenza </span><span style="background-color: white; font-family: "verdana"; font-size: 12px;">accendono e spengono sensazioni, producono narrazioni che non hanno una storia, se non la storia stessa del narrare. Le parole quindi entrano sullo schermo della pittura per dilatare il senso, non per dichiarare gli esiti. Sono passioni che la parola rende riconoscibili.</span></span></div>
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<span style="background-color: white; font-family: "verdana"; font-size: 12px;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBiOi-fCsnNXjCZipx73-QhjDp4DCaxpi4JQj93oLL14AlBD9lEVe9ilCxWJtaIgHB4kzQuZbTD5t4vBo_U1KREJGPdorXM1Ep32ENm1Pp5QdIExXug0yRR17t59d11FaYP9YXUMkAUwM/s1600/Cy-Twombly-Fifty-Years-Of-Works-On-Paper-Venus-Apollo-1975.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBiOi-fCsnNXjCZipx73-QhjDp4DCaxpi4JQj93oLL14AlBD9lEVe9ilCxWJtaIgHB4kzQuZbTD5t4vBo_U1KREJGPdorXM1Ep32ENm1Pp5QdIExXug0yRR17t59d11FaYP9YXUMkAUwM/s320/Cy-Twombly-Fifty-Years-Of-Works-On-Paper-Venus-Apollo-1975.jpg" width="320" /></a></span></div>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;">A Roma ha l’avvio il suo lavoro di scultore con le prime sculture astratte nate nel bianco. Qui inizia l’affermazione del suo stile personale. Creava arte dall'assemblaggio di oggetti di scarto.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyRuv4cmZwjfkiwp-TywGHGMRE2waVR2Z64kjRtUdmFui0NZQjuPKB0xs7jmoNXJzqiwL5ZUnpHqglLZOi9KhZB8THlgGbHS87Taw5fAQredlQmfXRbVqc5bHNw5np0uhuNAH6BAA8Fg0/s1600/8b82d15390596446210aceacd5a3aa1a.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQeRF91Vo0FmUjrH_ePmvRCbPo5wYa6c0DlLUdLcP2t_0PjQeGbERZTzyllr1InbLGaZPMSbBAO81BRkn3phI9QvFYuh2b7OGUPxTD5vFbubE5izFABDcnQZpF2Ikbw8nOvO7YBgkbwL4/s1600/scultura+1992-2005.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQeRF91Vo0FmUjrH_ePmvRCbPo5wYa6c0DlLUdLcP2t_0PjQeGbERZTzyllr1InbLGaZPMSbBAO81BRkn3phI9QvFYuh2b7OGUPxTD5vFbubE5izFABDcnQZpF2Ikbw8nOvO7YBgkbwL4/s320/scultura+1992-2005.jpg" width="222" /></a><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyRuv4cmZwjfkiwp-TywGHGMRE2waVR2Z64kjRtUdmFui0NZQjuPKB0xs7jmoNXJzqiwL5ZUnpHqglLZOi9KhZB8THlgGbHS87Taw5fAQredlQmfXRbVqc5bHNw5np0uhuNAH6BAA8Fg0/s320/8b82d15390596446210aceacd5a3aa1a.jpg" width="231" /></div>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;"><span style="background-color: white; font-family: "verdana"; font-size: 12px;">In Italia, Twombly assume la cultura classica attraverso la parola che è di per se la vera testimone della Storia. </span><span style="background-color: white; font-family: "verdana"; font-size: 12px;">Roma, per Twombly è la città antica e moderna, una piazza aperta sul teatro del mondo che raccoglie tutte le sollecitazioni culturali più pregnanti.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><i>La caduta di Iperione</i>, 1962, Galleria Nazionale d'Arte Moderna, Roma</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLPSU1zA6CWAHOopHh5jH1lTqlyEjrV0LBanuyIchQrsGxEi4LNXfx_iFk-Gt1zQayHWq39zzjUeKl4gy2dn9syVtg-FH1YPQ8I7Rs47hsQZQTAYLlWbjmLKBqvlVDSZBUsKcSB93xjvo/s1600/twombly_autunno.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLPSU1zA6CWAHOopHh5jH1lTqlyEjrV0LBanuyIchQrsGxEi4LNXfx_iFk-Gt1zQayHWq39zzjUeKl4gy2dn9syVtg-FH1YPQ8I7Rs47hsQZQTAYLlWbjmLKBqvlVDSZBUsKcSB93xjvo/s320/twombly_autunno.jpg" width="218" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Le Quattro Stagioni: Autunno</i>, 1993-5, Museo dell'arte Moderna, New York</td></tr>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;"><span style="background-color: white; font-family: "verdana"; font-size: 12px;">I primi anni sessanta per Cy Twombly sono gli anni in cui si immerge nella cultura italiana. In questo periodo </span><span style="background-color: white; font-family: "verdana"; font-size: 12px;">l’azione automatica prodotta dal segno si alterna a grumi di colore e l’inconscio lascia risalire la storia della pittura attraverso la storia nuova. La sua è una pittura colta, mai casuale.</span></span></div>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;"><span style="background-color: white; font-family: "verdana"; font-size: 12px;">Dal 1966 la pittura di Twombly recupera una dimensione mentale. </span><span style="background-color: white; font-family: "verdana"; font-size: 12px;">La stessa tendenza alla semplificazione, che denota un avvicinamento alle poetiche delle strutture primarie e del concettualismo, si avverte nelle sculture, che l’artista torna ad eseguire dal 1976.</span></span></div>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;"><span style="background-color: white; font-family: "verdana"; font-size: 12px;">Le sue sculture successive mostrano un mix </span><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;"><span style="background-color: white;">di</span><span style="white-space: pre-wrap;"> espansività emotiva e raffinatezza intellettuale</span></span><span style="white-space: pre-wrap;">.</span></span></div>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;">La storia di Twombly è una storia senza fine, così come le sue opere che propongono una matassa di segni che si ingarbuglia e si scioglie, si irrigidisce o si diluisce con la stessa intensità dell’energia cerebrale.</span></div>
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<span style="background-color: black; color: #666666; font-family: "trebuchet ms" , sans-serif; font-size: x-small;">In un saggio nel catalogo della mostra Dulwich 2011, Katharina Schmidt riassume la portata e la tecnica dell'artista:</span></div>
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<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , sans-serif;"><i style="background-color: black;">"Il lavoro di Cy Twombly può essere inteso come grande impegno di memoria culturale. I suoi dipinti, disegni, sculture con soggetti mitologici danno forma ad una parte significativa della memoria. Di solito attingendo a gli dei e a gli eroi più familiari, si limita giusto a un paio di episodi, i più noti, già narrati da poeti e storici, ripetutamente reinterpratati in letteratura e nell'arte. Partendo da un segno puramente grafico, ha sviluppato una sorta di meta-script, in cui abbrevia segni, tratteggi, numeri e il più semplice dei pittogrammi sparso sul quadro, si trova in un incessante processo di movimento, più volte sovvertito da cancellature, trasformato esso stesso in uno script. [...] Nelle opere di Twombly un apparente caos, definisce un originale ibrido in ordine, che a sua volta illumina un complesso senso dell'esperienza umana non espresso"</i></span></div>
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<span style="background-color: white; font-family: "verdana";"><span style="color: #666666; font-family: "courier new" , "courier" , monospace; font-size: xx-small;"><u style="background-color: black;">Bibliografia:</u></span></span></div>
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<span style="font-family: "verdana"; font-size: xx-small;"><span style="background-color: white; color: #666666; font-family: "courier new" , "courier" , monospace; font-size: xx-small;"><u style="background-color: black;"><a href="http://www.exibart.com/notizia.asp?IDNotizia=35682&IDCategoria=45">Exibart</a><br /><a href="http://www.culturaitalia.it/opencms/it/contenuti/percorsi/percorso234/capitolo_0003.html?language=it&tematica=Tipologia&selected=1">culturaitalia</a><br /><a href="https://alchetron.com/Cy-Twombly-1015108-W">Alchetron</a></u></span></span></div>
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LudovicaGentiliLabIVSaggiohttp://www.blogger.com/profile/13039838111796260170noreply@blogger.com0